Official Lyrics of O Canada!
O Canada!
Our home and native land!
True patriot love in all thy sons command.
With glowing hearts we see
thee rise,
The True North strong and free!
From far and wide,
O Canada, we stand on guard for thee.
God keep our land glorious
and free!
O Canada, we stand on guard for thee.
O Canada, we stand on
guard for thee.
The History of the National Anthem
Summary
"O Canada" was proclaimed Canada's national
anthem on July 1, 1980, 100 years after it was first sung on June 24, 1880.
The music was composed by Calixa Lavallée, a well-known composer; French
lyrics to accompany the music were written by Sir Adolphe-Basile Routhier.
The song gained steadily in popularity. Many English versions have appeared
over the years. The version on which the official English lyrics are based
was written in 1908 by Mr. Justice Robert Stanley Weir. The official English
version includes changes recommended in 1968 by a Special Joint Committee of
the Senate and House of Commons. The French lyrics remain unaltered.
Full History of "O Canada"
Many people think of Calixa Lavallée as an
obscure music teacher who dashed off a patriotic song in a moment of
inspiration. The truth is quite different. Lavallée was, in fact, known as
"Canada's national musician" and it was on this account that he was asked to
compose the music for a poem written by Judge Adolphe-Basile Routhier.
The occasion was the "Congrès national des
Canadiens-Français" in1880, which was being held at the same time as the St.
Jean-Baptiste Day celebrations.
There had been some thought of holding a
competition for a national hymn to have its first performance on St. Jean-Baptiste
Day, June 24, but by January the committee in charge decided there was not
enough time, so the Lieutenant Governor of Quebec, the Honourable Théodore
Robitaille, commissioned Judge Routhier to write a hymn and Lavallée to
compose the tune. Lavallée made a number of drafts before the tune we know
was greeted with enthusiasm by his musical friends. It is said that in the
excitement of success Lavallée rushed to show his music to the Lieutenant
Governor without even stopping to sign the manuscript.
The first performance took place on June
24, 1880 at a banquet in the "Pavillon des Patineurs" in Quebec City as the
climax of a"Mosaïque sur des airs populaires canadiens" arranged by Joseph
Vézina, a prominent composer and bandmaster.
Although this first performance of "O
Canada" with Routhier's French words was well received on the evening, it
does not seem to have made a lasting impression at that time. Arthur Lavigne,
a Quebec musician and music dealer, published it without copyright but there
was no rush to reprint. Lavallée's obit in 1891 doesn't mention it among his
accomplishments, nor does a biography of Judge Routhier published in 1898.
French Canada is represented in the 1887 edition of the University of
Toronto song book by "Vive la canadienne", "A la claire fontaine" and "Un
canadien errant".
English Canada in general probably first
heard "O Canada" when school children sang it when the Duke and Duchess of
Cornwall (later King George V and Queen Mary) toured Canada in 1901. Five
years later Whaley and Royce in Toronto published the music with the French
text and a translation into English made by Dr. Thomas Bedford Richardson, a
Toronto doctor. The Mendelssohn Choir used the Richardson lyrics in one of
their performances about this time and Judge Routhier and the French press
complimented the author.
Richardson version:
O Canada! Our fathers' land of old
Thy brow is crown'd with leaves of red and gold.
Beneath the shade of the Holy Cross
Thy children own their birth
No stains thy glorious annals gloss
Since valour shield thy hearth.
Almighty God! On thee we call
Defend our rights, forfend this nation's thrall,
Defend our rights, forfend this nation's thrall.
In 1908 Collier's Weekly inaugurated its
Canadian edition with a competition for an English text to Lavallée's music.
It was won by Mercy E. Powell McCulloch, but her version did not take.
McCulloch version :
O Canada! in praise of thee we sing;
From echoing hills our anthems proudly ring.
With fertile plains and mountains grand
With lakes and rivers clear,
Eternal beauty, thos dost stand
Throughout the changing year.
Lord God of Hosts! We now implore
Bless our dear land this day and evermore,
Bless our dear land this day and evermore.
Since then many English versions have been
written for "O Canada". Poet Wilfred Campbell wrote one. So did Augustus
Bridle, Toronto critic. Some were written for the 1908 tercentenary of
Quebec City. One version became popular in British Columbia...
Buchan version:
O Canada, our heritage, our love
Thy worth we praise all other lands above.
From sea to see throughout their length
From Pole to borderland,
At Britain's side, whate'er betide
Unflinchingly we'll stand
With hearts we sing, "God save the King",
Guide then one Empire wide, do we implore,
And prosper Canada from shore to shore.
However the version that gained the widest
currency was made in 1908 by Robert Stanley Weir, a lawyer and at the time
Recorder of the City of Montréal. A slightly modified version of the 1908
poem was published in an official form for the Diamond Jubilee of
Confederation in 1927, and has since been generally accepted in English
speaking Canada. Following further minor amendments, the first verse of
Weir's poem was proclaimed as Canada's national anthem in 1980. The version
adopted pursuant to the National Anthem Act in 1980 reads as follows:
O Canada! Our home and native land!
True patriot love in all thy sons command.
With glowing hearts we see thee rise,
The True North, strong and free!
From far and wide, O Canada,
We stand on guard for thee.
God keep our land glorious and free !
O Canada, we stand on guard for thee.
O Canada, we stand on guard for thee.
Many musicians have made arrangements of "O
Canada" but there appears to be a scarcity of recordings suitable for
various purposes.
Calixa Lavallée
 Calixa Lavallée was a
"canadien errant", a man who left his country for greener fields, but who
nevertheless loved Canada and returned to it, returned with a reputation
well earned in the United States and France to become the "national
musician" of Canada. He was, in his time, a composer operettas, at least one
symphony, various occasional pieces and songs; he was a pianist and organist
of considerable note and he was a teacher who wanted to found the first
Canadian Conservatory.
The famous Canadian choral conductor
Augustus Stephen Volt said of him: "I became acquainted with Lavallée in the
80's of the last century, when I was in Boston as a student of music, and he
impressed me as a man of extraordinary ability - not merely as a clever
executant of the piano, and not merely as an adroit deviser of pretty
melodies and sensuous harmonies, but as a genuinely creative artist, a pure
musical genius".
Calixa Lavallée was born in Verchères,
Canada East, on December 28, 1842, the son of Augustin Lavallée, a
woodcutter and blacksmith, who became an instrument repairman, bandleader
and music teacher. Later when the family moved to St-Hyacinthe, the father
worked for the famous organ-builder Joseph Casavant and led the townband.
Calixa showed talent early and played the organ in the cathedral at the age
of eleven. Two years later he gave a piano recital at the Théâtre Royal in
Montréal.
In Montréal Lavallée met Léon Derome, a
butcher who loved music. He became Lavallée's lifelong patron and friend,
often coming to his aid in bad times.
About this time, Calixa tired of regular
lessons and left Montréal to try his luck in the United States. In New
Orleans, he won a competition which in turn won him a job as accompanist to
the famous Spanish violinist Olivera. After touring with Olivera in Brazil
and the West Indies, Lavallée joined the Northern army during the American
Civil War.
Leaving the U.S. army as a lieutenant,
Lavallée returned to Montréal where he gave piano lessons and played cornet
in a theatre orchestra.
In 1865 he returned to the United States to
teach and give a series of concert tours. He married and began to work with
Arnold de Thiers, with whom he composed a comic opera called "Loulou". The
night before its first performance, the owner of the opera house was shot
and the theatre closed. Lavallée, who had been conductor and artistic
director of the theatre, the NewYork Grand Opera House, found himself out of
a job.
He returned to Montréal in 1872 to a warm
welcome from his friends, and had soon set up a studio with Jehin Prume and
Rositadel Vecchio, well-known musicians. Success in Montréal brought him the
fulfillment of a lifelong dream, to continue his musical education in Paris.
A group of friends led by Derome made him a monthly allowance while he
studied with Bazin, Boieldieu and Marmontel. A Lavallée symphony was
performed by a Paris orchestra in 1874 and his teachers predicted a great
future for him.
Lavallée decided to devote his life to the
establishment of a conservatory in Canada. To prove that talent existed, he
mounted a Gounod drama with an all-Canadian cast of 80. The venture was a
great success and Lavallée had high hopes of interesting the government in
his idea. But although the public responded warmly to his productions,
official quarters gave nothing but vague promises.
It was during this Quebec period, in 1880
that Lavallée composed the music of "O Canada" for the "Congrès national des
Canadiens-Français". But he could see nothing ahead but routine teaching and
playing, so once again he took off for the United States.
Things took a turn for the better. He was
appointed an organist and choirmaster; he toured with the famous Hungarian
soprano Etelka Gerster; he increased his composing; many of his works were
performed including "Tiq", a "melodramatic musical satire"on the Indian
question and his comic opera "The Widow". As a member of the Music Teachers'
National Association, he organized a number of very successful concerts, and
finally, in 1887, was elected president.
In 1888 Lavallée represented the
professional musicians of America in London and introduced American
compositions in London where the Lord Mayor gave a dinner in his honour.
Lavallée's health had been poor for some
years and after his return to Boston became much worse. By the autumn of
1890 he was bedridden and in financial straits. He died on January 21,
1891,at the age of 49, leaving some 60 works, only about half of which have
been found.
Lavallée was buried near Boston but his
body was brought back to Canada in 1933 and now rests in Montréal Cemetery
Côte-des-Neiges.
Sir Adolphe-Basile Routhier
Adolphe-Basile Routhier was born in May 8,
1839 in Saint-Placide (Lower Canada). He studied at the University of Laval,
and was a distinguished lawyer in Kamouraska.
He was appointed judge of the Quebec
Superior Court in 1873, and later became Chief Justice of Quebec from 1904
until his retirement in 1906.
He was probably better known as a poet than
as a judge, and it was natural that the Honourable Théodore Robitaille,
Lieutenant Governor of Quebec, should turn to him to write the words of an
hymn for the great "Congrès national des Canadiens-Français" in 1880. His
poem "O Canada!" was widely praised on its first presentation.
Sir Adolphe was made a knight of the The
Most Honourable Order of the Bath in 1911. He was a founding member of the
Royal Society of Canada, and was president of that society from 1914-1915.
Sir Adolphe-Basile Routhier died on June
27, 1920, at Saint-Irenée-des-Bains, Quebec.
The Honourable Robert Stanley Weir
Robert Stanley Weir (1856-1926) was born in
Hamilton, in what was then Canada West. He took all his higher education in
Montreal, and was qualified for both teaching and the law. He chose law and
rose rapidly in the profession, becoming in due course, like Routhier, a
judge first as Recorder of the City of Montréal and later to the Exchequer
Court of Canada (now the Federal Court of Canada). He wrote both learned
legal works and poetry, and his fame as a writer won him election as a
Fellow of the Royal Society which Routhier had helped found.
Weir had been a member of the Quebec
Legislative Assembly for Argenteuil from 1903 to 1910, during which period
he served in the Parent and Gouin Ministries as Minister without portfolio,
Minister of Public Works or Speaker of the Legislative Assembly.
Parliamentary Action
By the time the World War broke out in
1914, "O Canada" was the best known patriotic song in Canada, edging out
"The Maple leaf Forever" and others less well-known today.
1924 - The association of Canadian Clubs
passed a unanimous resolution recommending the Weir version as suitable for
use at Club meetings.
Since then the I.O.D.E. and the Canadian Authors Association have endorsed
it and in 1958 the Native Sons of Canada found in favour of it.
1927 - An official version of "O Canada"
was authorized for singing in Canadian schools and for use at public
functions.
1942 - July 27. The Prime Minister, the
Right Honourable William Lyon Mackenzie King, was asked if he did not think
this an appropriate time for proclaiming a national anthem. He replied that
"There are times and seasons for all things and this time of war when there
are other more important questions with which parliament has to deal, we
might well continue to follow what has become the custom in Canada in recent
years of regarding "God Save The King" and "O Canada" each as national
anthems and entitled to similar recognition." He said further that this was
his opinion, his government's opinion and he had no doubt it was the opinion
of most people in the country.
Some years later, his successor as Prime Minister, the Right Honourable
Louis St-Laurent made a similar statement.
1964 - A government resolution authorized
the formation of a special joint committee to consider the status of "God
Save The Queen" and "O Canada".
1966 - January 31. The Prime Minister, the
Right Honourable Lester B. Pearson, placed a notice of motion on the order
paper "That the government be authorized to take such steps as may be
necessary to provide that "O Canada" shall be the National Anthem of Canada
while "God Save The Queen" shall be the Royal Anthem of Canada.
1967 - March 15. The special joint
committee "unanimously recommends that the government be authorized to adopt
forthwith the music for "O Canada" composed by Calixa Lavallée as the music
of the National Anthem of Canada with the following notation added to the
sheet music: With dignity, not too slowly.
"God Save The Queen" was found to be in the
public domain as the Royal Anthem of Canada, but for "O Canada" the
committee deemed it "essential to take such steps as necessary to
appropriate the copyright to the music providing that it shall belong to Her
Majesty in right of Canada for all time. This provision would also include
that no other person shall be entitled to copyright in the music or any
arrangements or adaptations thereof."
The committee recommended further study of
the lyrics. It suggested keeping the original French version and using the
Weir English version with minor changes - that is replacing two of the
"Stand on guard" phrases with "From far and wide" and "God keep our land".
There was no trouble with the music
copyright which had by now descended to Gordon V. Thompson. They were
willing to sell for $1, but the heirs of Judge Weir objected to the changes
in the original version. Since Judge Weir died in 1926, the Weir version
would not come into public domain until 1976. There was some doubt that the
Weir family had legal grounds for objection since Thompson's apparently held
copyright on both music and English words. However the committee preferred
to settle the matter amicably if at all possible. The Government acquired
the rights from G.V. Thompson in 1970.
The version recommended by the committee:
O Canada! our home and native land!
True patriot love in all thy sons command.
With glowing hearts we see thee rise,
The True North strong and free!
From far and wide, O Canada,
We stand on guard for thee.
God keep our land glorious and free!
O Canada, we stand on guard for thee.
O Canada, we stand on guard for thee.
1972 - February 28 - The Secretary of State
of Canada, the Honourable Gérard Pelletier, presented a bill in the House of
Commons proposing the adoption of "O Canada" as the National Anthem of
Canada. The recommendations of the 1967 study in Parliament are incorporated
in the bill, which did not receive further study in Parliament and died on
the order paper. The same legislation was reintroduced by Mr. Pelletier's
successors at further sessions of Parliament; no action was ever taken.
1980 - June 18 - The Secretary of State of
Canada, the Honourable Francis Fox, presented a bill, similar to previously
presented bills on "O Canada", fulfilling a promise made earlier in the
House that "O Canada" be proclaimed as Canada's national anthem as soon as
possible in this year of the centenary of the first rendition. The bill was
unanimously accepted by the House of Commons and the Senate on June 27;
Royal assent was given the same day.
July 1 - The Governor General, His
Excellency the Right Honourable Edward Schreyer, proclaimed the Act
respecting the National Anthem of Canada, thus making "O Canada" an official
symbol of the country. A public ceremony was held at noon on Parliament Hill
in front of thousands of Canadians. Descendants of Weir and Routhier were on
the official platform, as well as the successor of Robitaille, the
Honourable Jean-Pierre Côté.
Original Poem by Weir
Originally "O Canada" was a patriotic poem
by Sir Adolphe-Basile Routhier, a Quebec judge. Calixa Lavallée, the
well-known Canadian composer, was commissioned to set it to music, and it
was first sung in 1880 during a national convention of French Canadians in
Quebec City. Many English versions have appeared, but the one which was
widely accepted was written in 1908 by another judge, R. Stanley Weir, in
honour of the 300th anniversary of the founding of Quebec City. It was
amended in 1913, 1914 and 1916 and published in an official form at the time
of the Diamond Jubilee of Confederation in 1927 and during the Royal visit
of 1939. A slightly modified version of the first verse of Weir's poem was
proclaimed as Canada's national anthem in 1980. The original poem of 1908 by
Stanley Weir reads as follows:
O Canada! Our home and native land!
True patriot love thou dost in us command.
We see thee rising fair, dear land,
The True North, strong and free;
And stand on guard, O Canada,
We stand on guard for thee.
Refrain
O Canada! O Canada!
O Canada! We stand on guard for thee.
O Canada! We stand on guard for thee.
O Canada! Where pines and maples grow.
Great prairies spread and lordly rivers flow.
How dear to us thy broad domain,
From East to Western Sea,
Thou land of hope for all who toil!
Thou True North, strong and free!
Refrain
O Canada! O Canada! etc.
O Canada! Beneath thy shining skies
May stalwart sons and gentle maidens rise,
To keep thee steadfast through the years
From East to Western Sea,
Our own beloved native land!
Our True North, strong and free!
Refrain
O Canada! O Canada! etc.
Ruler supreme, who hearest humble prayer,
Hold our dominion within thy loving care;
Help us to find, O God, in thee
A lasting, rich reward,
As waiting for the Better Day,
We ever stand on guard.
Refrain
O Canada! O Canada! etc.
English Translation of the French
Version of the National Anthem
- O Canada! Land of our forefathers
Thy brow is wreathed with a glorious garland of flowers.
As in thy arm ready to wield the sword,
So also is it ready to carry the cross.
Thy history is an epic of the most brilliant exploits.
Ch.
Thy valour steeped in faith
Will protect our homes and our rights
Will protect our homes and our rights.
Music and lyrics
As the National Anthem Act only
sets the melody for the anthem, musicians are free to arrange the score to
suit their requirements.
There is no copyright on the melody and the
words of the national anthem, the Act having declared them to be in the
public domain. It is possible, however, to copyright the arrangements made
to the melody.
It is possible to translate the words of
the national anthem in languages other than English or French; it should be
kept in mind, however, that this translated version will not have an
official status.
Playing of anthems at events
There is no specific rule as to when it is
appropriate to sing the national anthem at an event. It is up to the
organizers to determine if "O Canada" will be sung at the beginning or at
the end of a ceremony. If two anthems are to be played at the beginning of
an event, "O Canada" should be played first followed by the other one. When
anthems are played at the end of an event, "O Canada" should be played last.
Etiquette during the playing of the
national anthem
As a matter of respect and tradition, it is
proper to stand for the playing of "O Canada" as well as for the anthem of
any other nation.
It is traditional for civilian men to take
off their hats during the playing of the national anthem. Women as well as
children do not remove their hats on such occasions.
There is no law or behaviour governing the
playing of the national anthem; it is left to the good citizenship of
individuals.
Commercial use
"O Canada" and "God Save The Queen" are in
the public domain and may be used without having to obtain permission from
the Government.
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